
Robert Silverstein, 20th
Century Guitar Magazine
Kent Harrison, Plan
9, 9X Magazine
Ames Arnold
Phil Dirt, Reverb Central
Online
Will Ray of the Hellecasters
Mike McAdam, Guitarist for
Steve Earle, Mary Chapin Carpenter
Page Wilson, Singer/Songwriter
and Host of the Out of the Blue Radio Review, WCVE,
Richmond, VA
John Morgan, Richmond Music Journal - June 2002 - Live show review.
Walter Boelt, Richmond Music Journal - August 2003 - Live show review.
Maria Villafana, Washington Post - May 2004 - MP3 Feature
20th
Century Guitar – March 2002
Robert Silverstein
What would happen if Buddy Holly surfed or had better gear? That’s not a bad way to describe the first CD from Virginia based Reverb Rockets. Headed up by Mike Lucas (vocals, acoustic, electric, 12 string and steel guitars) and Clark Ball (vocals, bass, percussion), the Reverb Rockets deliver a potent blast of rockabilly sounds and ‘60’s style guitar instrumentals with the results sounding like a mix between Dick Dale, Johnny Cash and Dave Edmunds. Clocking in at just over 32 minutes, the 11 track album is a good-natured kick ass record of vintage surfabilly rock and roll and one listen provides ample proof that these guys can really play. As a guitarist and vocalist Lucas has his act down – while his band mates and several additional players add more fuel to the Reverb Rockets sound.
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The
Reverb Rockets, a trio of some of Richmond’s finest rock’n’roll veterans
(Mike Lucas, gtr&vocals; Clark Ball, b. & potato flute; Rob Lytle, dr.
& percussion), have released a really fine break out album full of rock,
surf, and country self-penned numbers. Rather
than rely on the styles of their previous band, which are numerous (Big Posse,
The Bopcats, Good Humor Band, to name a few), the Rockets forge their own new
ground with this locally produced CD.
All
songs on this record are written by the band members, including Mike Lucas’
country/rockabilly/ala the Stones “Sweet Little Girlfriend,” which opens the
CD. This song, complete with the
surf-rock break, is straight from the Marshall Crenshaw and Steve Earle
songbooks. Lucas also pens
“Rock-A-Billy Honey,” a nifty Sun Records sounding ditty, with the catchy
lyric. “Rock-A-Billy Honey I
could be handy and you look just like a piece of candy. And when you dance you
make my sweet tooth ache.” Sweet.
Instrumentals
comprise a good portion of the LP, and this is a good thing, as these songs
demonstrate the musicians’ prowess and knowledge of good time music. Clark
Ball’s “Ghost Surfer” belies the band’s misnomer, a wonderful
percussion-based mid tempo surf ballad; and his “Sacrifice” is a spooky
drum-based number that seems pumped either by a number of high-octane alcoholic
beverages or Jolt Colas. I love the
“wooh-wooh-wooh, hooh-hah-hooh-aahah” vocal refrain.
The bass player’s “Lobster Tank” also adds to the instrumental fun.
Other
fun on Reverb Rockets is “Long Haul,” a trucking tune that should ring true
to anyone that’s spent even ten minutes on that boring, loping interstate
highway. “Single Coil Theory”
is a smooth Jerry Reed/Chet Atkins greasy piece of chicken’ pickin’ guitar,
and Mike Lucas’ “Cowboy Work,” a story of a cowboy wannabe, is a page out
of Webb Wilder’s songbook. “Hellbender”
is the first song that in 30 years or more of listening that I can recall that
is written about a fishing lure, and it is pure fun.
My
favorite song though, and what sums up the attitude about Reverb Rockets in my
eyes, is “Armchair Quarterback.” Not since The Bottlerockets’ “Sunday
Sports” has a band been able to capture the piece of mind of a man sitting at
home watching sports (not golf, dammit) on TV on Sunday. “Hey sweet baby
another beer, sometimes I wonder if that girl can hear.”
Stay tuned to the local venues for your next chance to catch this fine
trio in action.
--Kent
Harrison
Reverb
Rockets, “Test Rocket”
Don’t get
the idea by the surfin’ cover or the rockabilly name that the Reverb Rockets
are some run-of-the-mill retro band. As
the group’s excellent first CD reveals, this talented trio of Richmond-based
pros is the real deal. With a
rocked-up groove that digs deep to explore the outer limits of tone and themes
both musical and lyrical, “Test Rocket” is full of fun.
Sure, there are surf and rockabilly sounds, but there’s much more as
each of the 11 songs rolls with an energy and presence that’s a pure delight.
All three
members contribute as writers as well as singers and players.
“Cowboy’s Work” is the wonderful tale of a lazy cowboy, and
“Armchair Quarterback” rocks with equal humor.
For the instrumental tune “Single Coil Theory,” guitarist Mike Lucas
plays with an inspired and crazed frenzy, while bassist Clark Ball and drummer
Rob Lytle punch out tight time changes. “Ghost
Rider” mixes mystery with fluid guitar runs and whammy bars.
“Hellbender,” the mock-serious tale told by a hooked fish, is handled
with appropriate Spinal Tap flair as guitars again go berserk.
And any CD that includes a cut where the nonsense chant “Lobster
Tank” repeats at odd intervals over big guitars and rhythm is tops in my book.
Join the Rockets at Poe’s Pub June 1 for the CD release party.
Written By Ames Arnold
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PO Box 7240, Santa Cruz, CA 95061-7240 USA
Phil Dirt, certified guru of surf music....
The
Reverb Rockets Test Rocket Label: Reverb Rockets 7625 CD
The Reverb Rockets mix great rock and roll and cowboy vocals with fine unpretentious instrumentals. their music is very high quality root rock oriented, with excellent musicianship and great writing. Well produced and infectious, this CD will surely please anyone who appreciates real rock and roll the way it was designed to be played. "Sweet Little Girlfriend" is a very cool fifties single targeted track with the hooks and the melody and the sound. Recommended. Picks: Ghost Surfer, Lobster Tank, Sacrifice, Single Coil Theory |
"Ghost Surfer" ![]()
Opening with a howl, "Ghost Surfer" quickly becomes
an infectious and rhythmic tune with a spooky guitar line and modern surf feel.
The melody riff is refreshing, and the rhythm track richly done. Really nice
track. Even the Austin rock break is a nice touch.
Surf Instrumental Stereo
"Lobster Tank" ![]()
Double picked cowboy twango, with cries of "Lobster Tank"
in the right places. Sounding like an Austin transplant, this is a cute and
funny track that you'll find yourself humming while you cruise through the
aisles at the market searching for a large rubber-banded crustacean.
Surf Instrumental Stereo
"Sacrifice" ![]()
Thundering tom toms provide a tribal backdrop for a vibrato throbbing watery
experience. Rich and fun, with jungle edge and sensual magnetism. "Sacrifice"
is a fine example of just how much power and charm can be derived from
minimalism in the right hands. magnificent!
Surf Instrumental Stereo
"Single Coil Theory" ![]()
Opening with coil hum, the well named "Single Coil Theory"
is a twangy roots rockin' pumpin' instro with a playful damped rhythm and
whammied watery chord progression. Bordering on chicken bop, riding a cactus
wave, and hinting of Cat Mother and the Allnight Newsboys, this is just
too much fun.
Chicken Bop Surf Instrumental Stereo
It sounds
like a cat who's claws are caught in the strings of Dick Dale's Stratocaster,
while a Johnny Cash record is playing in the background. Cool!"
- Will Ray of the
Hellacasters.
"I already knew the instrumentals would be great because I caught their
live show in Richmond, VA, but a song about a fishing lure from the perspective
of the fish? Brilliant!"
- Mike
McAdam, Guitarist for Steve Earle, Mary Chapin Carpenter
"The Reverb Rockets debut CD is long overdue solace for our surfabilly
sensitivities, adding some crunchy bacon to the California Sushi Roll, twangin'
heaven!"
- Page
Wilson, Singer/Songwriter and host of the Out of the Blue Radio Review, WCVE,
Richmond, VA
From the opening surf version of "The Barber of Sevelle" to "This Old House" they romped through an hour set of toe-tapping, reverb drenched chicken and double picking that was heavy, heavy, heavy on the twang factor. You know it ain't worth a thang if it ain't got that twang.
I saw the Showdogs (Billy Ray Hatley's band) guitar player throw his hands up in surrender after a particularly tasty solo. Rarely do you see local musicians watching other local or even national bands. You'd think supporting each other would help all the bands, but not in Richmond. So the next time you're bitching about the lack of support you are getting, ask yourself how many local bands do you go see? Karma, it's the law.
Reverb Rockets have a
CD out and they played heavily from that, as well as breaking out a new tune
written by the drummer. Did I mention they also do ska, South of the Border and
Middle Eastern? So many genres, so little time, but give these guys enough time
and they will conquer."
- John
Morgan, Richmond Music Journal, June 2002 - Richmond, VA
Still, it was an improvement over the last time I saw this band. When the cowboy called for the band to introduce themselves, the three of them stood up and shook hands with each other. If you want to know who they are, visit www.reverbrockets.com.
The cowboy's guitar, in any case, couldn't go incognito. It's unmistakable. I doubt there's a rockabilly or surfabilly number that this guy can't play remarkably well, and he's got a twang in his vocals that matches some of the lyrics to a T. "Some folks call me lazy, sometimes I wear paisley. This cowboy's work is always done," for example from their "Test Rocket" CD. Also on that CD is "Armchair Quarterback", "My wife calls me stranger, where's my channel changer?"
They closed the show with a rip roaring instrumental to be included on their next CD. It woke up a baby in the audience. Cowboy told the guy holding the now screaming infant, "Sorry for making the baby cry." Sounds like a good title for that next CD.
- Walter Boelt, Richmond Music Journal, August 2003 - Richmond, VA
Maria Villafana - Washington Post, May 2004